Associate Professor of Theatre and Associate Dean of the Faculty Sergio Costola presented a paper titled “Lucrezia Borgia and Theatrical Practice of Women in Elite Society” at a conference on Memory and Performance. Classical Reception in Early Modern Festivals sponsored by the Archive for Performances of Greek and Roman Drama of the University of Oxford, England (Parma, Italy, October 13-14, 2022).

Associate Professor of Theatre and Associate Dean of the Faculty Sergio Costola presented a paper titled “The Battle of Polesella (1509). Diplomatic Relations and the Performing Arts” at the 10th Splendid Encounters Conference, Beyond the Truth. Misinformation and Credibility in Early Modern Diplomacy (Florence, Italy, October 12-14, 2022).

Theatre students Dane Parker ’22, Campbell Duffy ’22, Jaime Hotaling ’23, Harrison Jones ’23, Oskar Brian ’22, Jessica Workman ’22, Ash Zunker ’25, and Lilly Percifield ’22 performed G.H.O.S.T. Unit: The Live Event on February 26 and advanced from the Region 6 Festival (where they received three Meritorious Achievement Awards for Innovative Theatre Practices, Outstanding Ensemble, and Support of New Work) to the national Kennedy Center American College Theater Festival. Cast and crew received the Innovative Theatrical Experience Special Achievement Award. G.H.O.S.T. Unit: The Live Eventis part of Associate Professor of Theatre Sergio Costola’s 2021–2022 and 2022–2023 faculty-student projects.

Associate Professor of Theatre and Paideia Director Sergio Costola and Jaime Hotaling ’23 presented a paper titled “Theatre Education at the Crossroads: Lessons Learned during the Pandemic” at the 2022 American Association of Colleges and Universities (AAC&U) Conference on General Education, Pedagogy, and Assessment, held February 10–12 in San Diego, California.

Associate Professor of Theatre and Paideia Director Sergio Costola collaborated with Olly Crick on a book to be published by Routledge in December 2021. The book, titled The Dramaturgy of Commedia dell’Arte, examines commedia dell’arte as a performative genre and one that should be analyzed through the framework of dramaturgy and dramaturgical practice.