Southwestern University
2000-2001 Catalog

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  Theatre Department
Sarofim School of Fine Arts

Professor Rick Roemer, PhD, Chair
Associate Professor Kathleen Juhl, PhD
Assistant Professor Kerry Bechtel, MFA
Assistant Professor Jamie Smith Cantera, PhD (part-time)
Assistant Professor John Ore, MFA
Assistant Professor Desiderio Roybal, MFA
Instructor Judy Thompson-Price, BS (part-time)

The Department of Theatre has as its objectives: to afford a cultural background in the arts and crafts of the theatre and to develop an understanding of their contribution to our culture; to develop appreciation for creative expression in the process of making theatre; to furnish a functioning theatre for the University and the community; to provide experience for the development of professional competence through studies in theatre history and literature, theatre production, and theatrical interpretation.

The course work for the Bachelor of Fine Arts in Theatre is rigorous and is in tended to serve only those seeking professional training or desiring an intensive program of theatre studies. Students majoring in Theatre are admitted as provisional candidates for the degree when they enter the University. At the end of the sophomore year students are required to audition and/or present a portfolio to the faculty for admission to full candidacy.

All students who wish to major in the fine arts at Southwestern must present an audition or portfolio to the faculty in their department. All Theatre majors, whether pursuing a BA or BFA degree, are required to audition for all departmental productions or apply to the faculty for exemption. Students interested in major design, management, and technical positions must apply, interview, and present a portfolio of their work in order to be considered for these positions. The first audition or application for production work during a student’s first year will constitute application to the School of Fine Arts for formal admission.

Bachelor of Fine Arts in Theatre

This production oriented, preprofessional degree is designed for those students who seek a career in one or more of the arts and crafts of theatre on a professional level and for those who intend to pursue advanced production and academic degrees in theatre.

General Education Requirements Common to All Degrees

(see page 21) 38 hrs

Fitness and Recreational Activity 2 hrs

Approved electives in any discipline 19 hrs

AREA OF EMPHASIS: THEATRE PRODUCTION AND

PERFORMANCE 37 hrs

Theatre Laboratory (73-111 for seven semesters) 7 hrs

Makeup for the Theatre (73-113) 3 hrs

Introduction to Technical Theatre (73-163) 3 hrs

Introduction to Acting (73-293) 3 hrs

Theatre Dance (73-413) or Introduction to Performance Studies (73-173) 3 hrs

Directing for the Theatre (73-893) 3 hrs

Advanced Production for the Theatre–Capstone (73-923) 3 hrs

Theatre Design (73-793, 803, or 823) 6 hrs

Advanced Performance (73-513, 713 or 813) 6 hrs

AREA OF EMPHASIS: THEATRE HISTORY, LITERATURE,

AND PROFESSIONAL 25 hrs

History of the Theatre (74-233 and 243) 6 hrs

Advanced Literature (74-313, 583, 593, or 703) 9 hrs

Professional Specialization (74-301, 302, 303, 673, 853, 943,

or 953 or 73-513, 713, 723, 813, 101, 201, 221) 10 hrs

Total, including approved electives, to complete a minimum of 121 hrs

In addition to the requirements listed above, all Theatre majors are required to participate consistently and actively in the production activities of the Department of Theatre and Communication. All BFA Theatre majors are expected to show evidence of a high degree of proficiency in at least one play production related area of the program.

Each spring semester, all BFA students are required to present an audition and/or portfolio to the faculty for review. Students will be presented with guidelines for this yearly review when they declare interest in pursuing the BFA degree. Students must show proficiency during this yearly presentation in order to maintain BFA status. In addition, BFA candidates are required to present an audition or portfolio to prospective employers at a major theatre conference audition such as the Southwestern Theatre Association, Southeastern Theatre Conference, USITT or other approved activities.

A significant production or internship project is required of all BFA Theatre majors during the senior year. This fulfills the capstone experience requirement for the BFA. It is recommended that the capstone requirement is fulfilled during the semester that the student is not enrolled in Theatre Laboratory.

Bachelor of Arts in Theatre

This degree is designed for those students who wish to obtain a general knowledge of theatre but who do not necessarily wish to pursue advanced degrees in theatre or a professional career in theatre.

General Education Requirements Common to All Degrees (see page 21).....38 hrs

Fitness and Recreational Activity 2 hrs

AREA OF EMPHASIS: THEATRE PRODUCTION AND

PERFORMANCE 22 hrs

Theatre Laboratory (73-111 for seven semesters) 7 hrs

Introduction to Technical Theatre (73-163) 3 hrs

Introduction to Acting (73-293) 3 hrs

Theatre Design (73-793, 803, or 823) 3 hrs

Advanced Performance (73-513 or 813) 3 hrs

Advanced Production for the Theatre–Capstone (73-923) 3 hrs

AREA OF EMPHASIS: THEATRE HISTORY, LITERATURE,

AND PROFESSIONAL 15 hrs

History of the Theatre (74-233, or 243) 3 hrs

Advanced Literature (74-313, 583, 593, or 703) 6 hrs

73 or 74 Series Electives 6 hrs

Specific additional requirements common to all Bachelor of Arts

degrees, including approved electives in any discipline* 47 hrs

Total, including approved electives, to complete a minimum of 121 hrs

*Eighteen semester hours of professional education plus other courses are required in this block for teacher certification. See Department of Education section.

In addition to the requirements listed above, all BA Theatre majors are expected to participate in the production activities of the Theatre Department. A significant production project or internship will be required of all BA Theatre majors. This fulfills the capstone experience requirement for this degree. It is recommended that the capstone requirement is filled during the semester that the student is not enrolled in Theatre Laboratory.

A minor in Theatre may be obtained by completing 18 semester hours of Theatre, 12 semester hours of which must be above the introductory level with two hours of Theatre Laboratory (73-111). The Theatre minor may be taken in conjunction with any other major program.

Theatre Production and Performance (THE)

73-101, 201 THEATRE PERFORMANCE PRACTICUM. Main-stage productions are open to all University students. One hour of credit is granted for each production experience. This course may be repeated for up to four semester hours of credit. All theatre performance classes taken after the second semester count as advanced courses. Prerequisite: Must be cast in a role in a mainstage production. (POK-Aesthetic Experience: Performance)

73-111 THEATRE LABORATORY. Required of all theatre majors during seven semesters in residence at Southwestern University. This course focuses on the different aspects of technical theatre as they apply to departmental productions. May be repeated for up to seven semester hours credit. (POK-Aesthetic Experience: Performance)

73-113 MAKEUP FOR THE THEATRE. Theory, design, and practice in the art of stage makeup. Course focuses on the development of skills necessary for the practicing theatre artist.

73-163 INTRODUCTION TO TECHNICAL THEATRE. A study of the basic elements of stagecraft and design. The student will study standard techniques used by stage technicians in executing theatrical designs. The majority of the course covers scenic construction techniques with a short discussion of stage electrical practices. In addition, the student will study basic drafting techniques as they are used in technical theatre and in design areas.

73-173 INTRODUCTION TO PERFORMANCE STUDIES. This course focuses on performance as an activity which can lead to enhanced literary and cultural analysis and understanding. Topics and activities include everyday life performance, improvisation, theatrical performance, cultural performance, and the performance of non-dramatic literature. Also Communication 75-173 and Women’s Studies 04-173. (POK-Aesthetic Experience: Performance)

73-221 THEATRE PRODUCTION PRACTICUM. One hour of credit is granted for stage management and design positions for main-stage theatre productions. This course may be repeated for up to four semester hours of credit. Prerequisite: Must be chosen to a stage management or design position for a mainstage production.

†73-273 CREATIVE DRAMATICS/THEATRE FOR YOUTH. The purpose of this course is to introduce the student to the field of creative dramatics and theatre for youth through lecture, demonstration, classroom workshops, and attendance at theatre for youth performances. The student will learn skills necessary to work with young people on language and communication, problem solving, creativity, positive self-concept, social awareness, empathy and an understanding of the art of theatre. Elementary and junior high age groups will be emphasized. (POK-Aesthetic Experience: Performance)

73-293 INTRODUCTION TO ACTING. Study and practice of basic acting skills including movement, voice, dynamics, exploration of the self, improvisation, character analysis, and rehearsal process. Students will also learn auditioning techniques. Substantial written and performance work is required. (POK-Aesthetic Experience: Performance)

73-413 THEATRE DANCE. Preparation and execution of basic movement exercises, jazz, tap, and modern dance and their application to choreography for musical theatre. Also Dance 79-413. (POK-Aesthetic Experience: Performance)

73-513 CONTEMPORARY STYLES–ACTING. Study and practice of 20th century acting techniques through research, analysis work, and performance. Prerequisite: Theatre 73-293. (Alternate years)

73-713 ADVANCED PERFORMANCE STUDIES. A course which focuses on performance as a field of knowledge and a way of knowing. Topics will include cultural performance, literary performance, and performance art. Also Communication 75-713 and Women’s Studies 04-713. Prerequisite: Theatre 73-173 or 73-293.

73-723 FEMINISM AND PERFORMANCE. A course focusing on the ways culture has constructed the performance of gender on stage, in everyday life, and in the media. Also Communication 75-723 and Women’s Studies 04-723. Prerequisite: Women’s Studies 04-103.

73-793 COSTUME FOR THE THEATRE. A study of the art and practice of theatrical costume design. The course will cover both the aesthetics of costume design and the basic history of fashion from the ancient period to the modern. Special attention will be given to the application of historic fashion to costuming for the stage. Students will present design concepts in a series of renderings for selected periods and plays. Prerequisite: Theatre 73-163.

73-803 SCENERY FOR THE THEATRE. A study of the art and practice of theatrical scenic design. The focus of the course will be on the traditional approaches to scenic design and a study of the elements of composition as they apply to scenery. The students will work with different theatrical styles and settings and will present design concepts through painted renderings and/or models as well as draftings. The use of the computer as a design tool will also be studied and used as an aid in the creation of as signed designs. Prerequisite: Theatre 73-163.

73-813 PERIOD STYLES–ACTING. Focuses on presentational acting styles and the history of the art of acting. Study includes character and scene analysis and the performance of scenes and audition material from a variety of theatrical periods. Prerequisite: Theatre 73-293.

73-823 LIGHTING FOR THE THEATRE. A study of the art and practice of theatrical lighting and lighting design. The students are introduced to the technical skills necessary to handle stage lighting and to the skills necessary to develop lighting designs for the theatre and dance. Additional topics include the use of color, lighting in alternate spaces, and lighting for various styles of the theatre. Student designs are presented through visual presentations and drafted light plots. The use of the computer as a design tool also will be studied and used as an aid in the creation of the assigned designs. Prerequisite: Theatre 73-163.

73-893 DIRECTING FOR THE THEATRE. Principles and practices of directing. Includes detailed analysis of the playscript and directing of laboratory or workshop productions.

73-923 ADVANCED PRODUCTION FOR THE THEATRE. This course provides a student director, designer, or actor with a platform to exercise his/her skills in a performance situation. This course is limited to senior theatre majors and is designed to serve as the capstone project for the BA and BFA degrees.

73-301, 302, 303 SELECTED TOPICS. Special studies not in the regular curriculum to be offered on student request. May be repeated with change in topic.

73-943 ACADEMIC INTERNSHIP.

73-951, 952, 953 INDEPENDENT STUDY. May be repeated with change in content.

73-983 HONORS.

Theatre History, Literature, and Professional (THE)

74-113 THEATRE ARTS IN LONDON. A theoretical and experiential survey of the art of the theatre, its past and present, with an emphasis on the role of theatre within the society and the techniques employed to achieve its purpose. Emphasis will be upon attending performances in London. This course is taught by faculty from Goldsmith College, University of London. An additional fee is levied to pay for admission to theatre performances. (POK-Aesthetic Experience: Lecture) (Fall in London Program only)

74-233 HISTORY OF THE THEATRE I. The study of the early evolution of theatrical production and literature. Also Women’s Studies 04-313. (POK-American and Western Cultural Heritage)

74-243 HISTORY OF THE THEATRE II. The study of the modern and contemporary evolution of theatrical production and literature. (POK-American and Western Cultural Heritage)

74-313 WRITING FOR THE THEATRE. Theory and practices of playwriting. Includes the writing of scripts for theatre reading and production. Also English 10-313.

74-583 STUDIES IN CONTEMPORARY DRAMA. The study of contemporary plays, illustrating recent developments in dramatic literature and performance. Also English 10-583. (POK-Aesthetic Experience: Lecture)

74-593 STUDIES IN WORLD DRAMA. The study of world theatre and representative plays, illustrating the development of drama and theatre in its various forms and styles. Also English 10-593 and Women’s Studies 04-593. (POK-American and Western Cultural Heritage)

74-673 MANAGEMENT FOR THE THEATRE. Studies in all the managerial areas involved in promoting and producing theatre in the educational, community, and professional theatre.

74-703 SHAKESPEARE. Also English 10-703.

74-853 STAGE MANAGEMENT FOR THE THEATRE. An introduction to stage management for commercial and non-commercial theatre. The course will include discussion of the stage manager’s responsibilities as well as the development of the skills necessary to perform effectively as a stage manager for a theatrical production. Prerequisite: Theatre 73-163. (Alternate years)

74-301, 302, 303 SELECTED TOPICS. Special studies not in the regular curriculum to be offered on student request. May be repeated with change in topic.

74-943 ACADEMIC INTERNSHIP.

74-951, 952, 953 INDEPENDENT STUDY. May be repeated with change in content.

74-983 HONORS.

 

DANCE (DAN)

A minor in dance may be obtained by taking 18 semester hours of dance, 12 semester hours of which must be above the introductory level, and may be taken in conjunction with any major program at Southwestern. Dance is a natural companion to majors in theatre, music, art, and kinesiology.

79-203 BALLET. A study of basic foot, arm, and body position in ballet. The student is introduced to the barre for fundamental ballet exercises, followed by center practice and combination of dance steps. (POK-Aesthetic Experience: Performance)

79-243 HISTORY OF DANCE. A survey of the development of humankind through dance from primitive times to the twentieth century, with a special focus on ballet and dance in America. (POK-Aesthetic Experience: Lecture)

79-403 MODERN DANCE. Education in body movement through dance techniques designed to teach an understanding of rhythm and relaxation and a presentation of basic movement problems. (POK-Aesthetic Experience: Performance)

79-413 THEATRE DANCE. Preparation and execution of basic movement exercises, jazz, tap, and modern dance and their applications to choreography for musical theatre. Also Theatre 73-413. (POK-Aesthetic Experience: Performance)

79-503 JAZZ DANCE. A study of jazz technique, free style movement, floor and barre work, and combinations. The purpose of this course is to provide the student with a wider range of body movement and a creative means of expression for theatre dance. (POK-Aesthetic Experience: Performance)

79-603 TAP DANCE. An introduction to tap dance techniques, emphasizing the use of this dance in theatrical performance. (POK-Aesthetic Experience: Performance)

79-803 DANCE REPERTORY. Emphasis is on learning new techniques through combined movement phrases and by learning one dance and/or sections from others. Prerequisites: Any two of the following: ballet, jazz, or modern dance. May be repeated for up to six hours of credit.